And the man behind the brand is...
Heinrich Steinweg
Heinrich Engelhardt Steinweg was born the youngest of twelve children to a foresting family in Germany in 1797. His father and several brothers left to fight in the Napoleonic Wars and only the father came home. Worse, while seeking refuge from marauding troops, Steinweg’s mother died of exposure in a crude hut during a bitter German winter.
Several years later, in 1812, Steinweg, his father and three remaining brothers were working a hillside when a thunderstorm threatened. The family huddled inside a temporary shelter which was destroyed by a bolt of lightning. Only Heinrich Steinwag crawled out of the wreckage alive. He was the only one remaining from his family of 14. He was fifteen years old.
Struggling to support himself Steinweg joined the Army himself. He was reputedly at Waterloo in 1815, serving as a bugler, and stayed in the military until he was 22 years old. He had no musical training but built his first instrument, a zither, made with 30 strings stretched across a box, after the war. He longed to build instruments professionally but was not willing to serve the required seven-year apprenticeship and turned to cabinetmaking.
Although it is not known for sure, it is generally assumed that Steinweg built his first piano at the age of 39 as a gift for his wife, crafting it in his kitchen. In 1839 a Steinweg piano won a gold medal at the Brunswick, Germany trade fair. He sold the piano for 300 marks and was in the piano business. With the help of three of his six sons the Steinwegs were able to make ten pianos a year in Seesen, Germany.
Political upheaval was once again threatening Germany by mid-century.
On June 29, 1850 Heinrich Steinweg landed in New York City, following the lead of his son Theodore, who had emigrated a year earlier. Theodore’s letters, although clearly indicating that all things being equal he’d rather still be in Germany, convinced his family a less stressful life awaited them in America.
Father and sons worked in piano factories around New York but the family was not scraping for money after their successful German days. On March 5, 1853 Heinrich Steinweg opened his own piano factory. Aware of prejudices against Germans around New York he began business as “Henry Steinway & Sons.” Steinway was never completely won over by his adopted land; he didn’t officially change the name until 1864 and German was always the official language in the factory during his lifetime.
The Steinways started in a loft on Varick Street. Their first piano sold for $500; it is on display at the Metropolitan Museum of Art today. The eldest daughter, Doretta, was the company’s best salesperson and she often offered free lessons with the new piano. The firm’s success was assured when a Steinway square piano won a gold medal at the New York Industrial Exposition of the American Institute. The first Steinway grand piano was sold in 1856.
By 1859 Steinway was making more than one piano a day. A new plant, swallowing an entire city block, went up off Park Avenue in 1860. With 350 men and steam-powered tools Steinway’s production increased to 30 square pianos and five grand pianos a week. The superior resonance of a Steinway piano was attributed to its overstrung bass strings on an iron frame. It quickly became the standard concert piano in America. In 1866 William Steinway built Steinway Hall which was New York’s premier concert hall until Andrew Carnegie built his palatial hall in 1890.
Henry Steinway endured the same tragedies with his offspring that he had with his brothers. Three of his sons died of illness within a short period in the mid-1860s. Henry himself passed away at the age of 74 in 1871, having started a legacy that fate had oft times seemed determined to sabotage.
February 9, 2007
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